The saltarello is a musical dance originally from Italy. The first mention of it is in Add MSa late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. This characteristic is also the basis of the German name Hoppertanz or Hupfertanz "hopping dance" ; other names include the French pas de Brabant and the Spanish alta or alta danza. The saltarello enjoyed great popularity in the courts of medieval Europe.
Entire dances consisting of only the saltarello step La Mia Ombra - Various - Musicamalla meter are described as being improvised dances in 15th-century Italian dance manuals.
The first dance treatise that dealt with the saltarello was the work of Antonio Cornazzano. A clearer, detailed description of this step and meter appears in a 16th-century manuscript in the Academia de la Historia in Madrid. The saltarello gave birth to the quadernaria in Germanywhich was then fused into the saltarello tedesco German saltarello in Italy.
InHans Newsidler published an Italian dance under the name Hupff auff introductory skipand identified it with a parenthetical subtitle: "saltarella".
Although a Tuscan court dance in origin, the saltarello became the typical Italian folk dance of Ciociaria and a favorite tradition of Rome in the Carnival and vintage festivities of Monte Testaccio.
After witnessing the Roman Carnival ofthe German composer Felix Mendelssohn incorporated the dance into the finale of one of his masterpieces, the Italian Symphony.
The only example of a saltarello in the North is saltarello romagnolo of Romagna. The saltarello is still a popular folk dance played in the regions of southern-central Italy, such as AbruzzoMolise but in these two regions the name is feminine: SaltarellaLazio and Marche.
The dance is usually performed on the zampogna bagpipe or on the organettoa type of diatonic button accordion, and is accompanied by a tamburello. The principal source for the medieval Italian saltarello is the Tuscan manuscript Add MSdating from the late 14th or early 15th century and Saltarello From Italian Symphony - Various - Big Screen Classics in the British Library.
The musical form of these four early saltarelli is the same as the estampie. Because no choreographies survive from before the s, it is doubtful whether these four dances have any relationship to later saltarellos.
From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This section does not cite any sources. Please help improve this section by adding citations to reliable sources.
Oxford Music Online. Accessed December Abingdon; New York: Routledge. New York: W. Hidden categories: Pages containing links to subscription-only content Articles needing additional references from October All articles needing additional references All articles with unsourced statements Articles with unsourced statements from December Articles with unsourced statements from June Articles needing additional references from Saltarello From Italian Symphony - Various - Big Screen Classics Namespaces Article Talk.
Jäänmurtaja - Pohjoinen Kuri - Lama-ajan lauluja, Alcove - Universal Implication, Symphony No 36 In C , K.425 Linz :Poco Adagio - Mozart* - Edition Symphonies, Finding My Way - Rush - Gold, When I Woke Up - Monika Kruse - Changes Of Perception Part 3